http://www.frettedamericana.com/product/1967-gretsch-6120-chet-atkins-nashville-hollow-body-0 Stock # 1831 A Gold-Sparkle 1967 Gretsch 6120 Ex Dan Murphy (Soul Asylum) and Jeff Tweedy (Wilko) 1967 Gretsch 6120 Chet Atkins ‘Nashville’ Hollow Body This forty-eight year old 15 1/2 inch-wide guitar ex Dan Murphy (Soul Asylum) and then Jeff Tweedy (Wilko) weighs just 7.30 lbs. Double-bound laminated maple body with black painted f-holes with white borders. Two-piece maple neck with ebony center-strip, a nut width of just over 1 5/8 inches, a medium-to-thick profile and a standard Chet Atkins scale length of 24 1/2 inches. Ebony fretboard with 22 frets plus zero fret and neo-classic inlaid pearl thumbprint (half-moon) position markers. Black faced headstock with inlaid pearl Gretsch “T-roof” logo and rectangular brass plate secured by four pins and engraved “Chet Atkins / Nashville / Model”. Bell-shaped two-layer (black on white) plastic truss-rod cover with three screws. The serial number “271292” is stamped in black on the back of the headstock. Individual closed-back Grover USA tuners with oval metal buttons. Two patent-number Filter’Tron pickups with gold plastic surrounds and outputs of 4.20k and 4.32k. Gold Lucite pickguard with pantograph-engraved Gretsch “T-roof” logo and “Chet Atkins” signature and “Nashville” in black. Two volume controls (one for each pickup) plus a three-way stand-by switch on the lower treble bout, one master volume control on the upper treble bout, plus two three-way selector switches (one pickup selector and one tone selector) on the upper bass bout. The potentiometers are stamped “137 663X” (CTS, July-September 1966). String damper with the original? white felt pad. Gretsch “Arrow-through-G” knobs with cross-hatch pattern on sides. Aluminium Gretsch ‘Bar-bridge on height-adjustable ebony base and aluminium V-cutout B-6 Bigsby (“Gretsch by Bigsby”) vibrato tailpiece with pivoting arm. Original black vinyl pad with gold trim and eight push-button fasteners on the back of the guitar covering the […]
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